Click on thumbnails for bigger image. NOTE:
These instruments all have been ordered by and sold to
individuals unless otherwise indicated.
Ben's first
scheitholt.
"It's too pretty for a real scheitholt!" said Ken Bloom.
Custom scheitholt built for Greg Gunner (MI) in May 2004. He said, "It's a beautiful
instrument, and it sounds just great. I couldn't be any
happier with it than I already am. Thanks again."
Ben built this standard modelscheitholt for
Walter Nelson. It has walnut back and sides and a sycamore top. Walter
wrote about his new scheitholt: "Ben, got my instrument today--it is a
work of art and sounds great too!!!!"
Mercer Museum Reproduction
Scheitholt Ben built for Greg Gunner (MI) in June 2006, after an
instrument in the
Mercer
Museum in Pennsylvania. Of this instrument, Greg said, "The
replica of Mercer Museum scheitholt #13423 has arrived safe and
sound. It looks and sounds fantastic. No longer is the scheitholt
of the early Mennonites limited to a few museum specimens. The
Mennonite craftsmen of the 18th and 19th centuries would be amazed
that someone in the 21st century is producing such fine replicas of
their work. I can now sit and play the handful of Pennsylvania
German hymns and secular tunes that I tabbed out while awaiting its
construction. The scheitholt is alive and well. Hopefully, others
will see this scheitholt pictured on your website and order their
own. They won't be disappointed."
Hear Ben
playing one of these scheitholts:
Walnut scheitholt with hand-carved rosette, made for Francis Biggi, Dean of the Early Music Department, Haute Ecole de Musique, Geneva, Switzerland, who remarked, "It's a great instrument! and thank you very much!"
Listen to Ben play this instrument.
(Click on it again after it gets started to get a larger screen.)
Alf Bashore's (PA) sycamore scheitholt. Alf said, "Scheitholt arrived Wed early afternoon. Beautiful, beautiful and
sounds so full and lovely. It's looks so anciently new." Listen to Ben play it below.
Alf Bashore's (PA) walnut scheitholt.
A scroll-head scheitholt built from a photo. All cherry; set up for bowing.
Stephen Barrett's Mercer Museum reproduction is made of walnut with fancy tailpiece, heart and hole soundholes.
This cherry epinette is
enhanced with ebony overlays, and was built longer than a
historically accurate epinette to accommodate lower tuning
preferred by the customer.
SOLD
Figured olivewood epinette made for Lance Frodsham, made with a split fretboard,
and has feet on the back for setting on a table to increase volume, and an access panel to the electronic plug-in.
SOLD
Figured olivewood epinette Ben made for himself while he was making Lance's, also made with a split fretboard,
and has feet on the back for setting on a table to increase volume.
NFS
Made entirely from sycamore except for the frets, this langeleik has a VSL of 28 1/4".
With a VSL of 28 1/4", this langeleik is made completely ofmaple.
Frets, nut and saddle are ebony, with black Grover tuners.
Made for a customer in Pennsylvania. Here's a video of Ben playing it:
This
monochord was a custom commission from a music instructor, John Michael Greer.
He wrote: "The
monochord arrived yesterday afternoon. What can I say? It's
wonderful--a first-rate research tool and a fine musical
instrument all in one. Beautiful tone, beautiful workmanship, and
an exact fit to the details I needed. Many, many thanks for
crafting this instrument of another age."